Basic Information
| Field | Detail |
|---|---|
| Name | Sean Boyriven |
| Occupation | Film/TV producer; production & lighting work |
| Family (immediate) | Mother: Mariette Hartley (actress); Father: Patrick Boyriven (producer/director); Sister: Justine E. Boyriven (actor/creative) |
| Selected credits (examples) | Tortilla Soup (2001) — producer credit; Purpose (2002) — producer credit; The 4th Tenor (2002) — producer credit |
| Public presence | Trade listings (IMDb, crew directories), LinkedIn/company listings, product/demo videos (lighting equipment), event appearances (press/photo captions) |
| Verified net worth | No authoritative public estimate found |
| Notable public appearance | Appeared in event/press photography in December 2023 |
I write this like a scene description — wide-angle opening, slow zoom to the protagonist. If Sean Boyriven were a frame in a film, he’d be the kind of off-camera hand that nudges the light just so, the person who keeps the machinery running while the actors take the credit. That’s not a metaphor pulled from air; it’s the shape of the public record: producer credits, demo reels, lighting demos, and the occasional press photograph that pins him to a family moment on the red carpet.
Family and the household cadence
Family shows up early in the story. Sean is part of a household with two clearly public figures: his mother, Mariette Hartley — an actress whose name surfaces in film and TV histories — and Patrick Boyriven, identified in trade notes as a producer/director and spouse to Hartley (married in 1978). Their daughter, Justine E. Boyriven, appears on credits and social channels as well, making the Boyriven-Hartley line a small constellation of creative work.
Numbers help me keep the family tree tidy: three immediate names, one marriage year (1978), and a sibling pairing that the public record treats as a fact rather than a rumor. I picture family gatherings where anecdotes stick like film sprockets — someone telling a story about lighting a tricky scene, someone else riffing on the absurdity of wardrobe malfunctions — and Sean listening with that producer’s instinct: catalog, file, act when needed.
Career: behind the credits and the light
If you read the filmography entries, certain years pop out: 2001 and 2002 are busy. Titles that attach to Sean’s name include Tortilla Soup (2001), Purpose (2002), and The 4th Tenor (2002). Those three years — 2001, 2002 — show up like a mini-act in the first chapter of his career. Beyond film credits, trade listings and professional profiles link him to production and to lighting — including work tied to Dedolight, and product demos that live on video platforms.
This is the kind of résumé that reads like a technician-turned-storyteller: producer roles implying oversight, logistics, budgeting — the quiet chess of filmmaking. Then there’s the lighting-demo material, the hands-on demonstrations that say he knows the tools. Think of it as being both a general and an electrician on the same set — planning the operation and making sure the bulb doesn’t blow.
| Year | Project | Role (public listing) |
|---|---|---|
| 2001 | Tortilla Soup | Producer (listed) |
| 2002 | Purpose | Producer (listed) |
| 2002 | The 4th Tenor | Producer (listed) |
Public presence, press snapshots, and the quiet ledger
Sean’s footprint on the public web is pragmatic — trade directories, crew databases, event photography captions, and video demos. In December 2023 he appears in event photos tied to a screening, which reads like a blink in a long career: visible, but not the headline. There are social profiles associated with both Sean and his sister Justine — not the influencer-level noise machine, but enough public posts and captions to sketch a modern artist who operates both behind camera and in family-facing moments.
There’s also a small public-record flicker: a campaign-donation entry bearing his name — not a scandal, not a headline, just an administrative entry that reminds us how public life and private civic life sometimes cross.
Money matters — what the records say (and don’t)
Here, bluntly: there is no authoritative, public estimate of Sean Boyriven’s net worth on mainstream net-worth outlets. That silence is a kind of statement — many industry professionals live comfortably in the gray area of two realities: substantial creative influence, modest public financial footprint. So I treat net-worth numbers like spoilers I don’t have — I won’t invent them. The only numbers I can confidently place on the table are dates, credits, and the family relationships already described.
The shape of reputation: craft over celebrity
If reputation were a film score, Sean’s would be steady percussion rather than a flashy trumpet solo. He shows up where the work is: producing, demoing equipment, appearing in trade listings. The story that emerges is familiar to anyone who’s read the credits long enough — the people who keep the set moving are rarely the tabloid leads, but they are everything the movie needs. For readers who love “behind-the-scenes” lore, Sean is the archetype: competently present, technically fluent, quietly tethered to a creative family that occasionally steps in front of the camera.
I like to think of him as the connective tissue in a small cinematic ecosystem — part technician, part organizer, part family member who understands that sometimes a life is best told in cues and call times rather than tabloid exposés.
FAQ
Who is Sean Boyriven?
Sean Boyriven is a film and production professional with producer credits on features in the early 2000s and a working presence in production and lighting demonstrations.
Who are his family members?
His immediate family includes actress Mariette Hartley (mother), Patrick Boyriven (father), and sister Justine E. Boyriven.
What are his notable career credits?
Notable listings include producer credits on Tortilla Soup (2001), Purpose (2002), and The 4th Tenor (2002), plus professional work related to lighting equipment and demo videos.
Is there public information about his net worth?
No—there is no authoritative public estimate of Sean Boyriven’s net worth available in standard net-worth outlets.
Has he appeared in recent public events?
Yes—he is listed in event and press photography, including an appearance in December 2023.
Is he active on social media?
There are public profiles associated with him and with his sister, indicating a modest social presence rather than influencer-scale activity.