Early Years and Family Roots
Kimberly A. Guerrieri Martello was born in January 1954 in the Pittsburgh area. Her upbringing in Brownsville and the surrounding steelbelt towns placed her in the rhythm of a working-class, close-knit Italian-American family—where Sundays, family dinners, and community ties shaped identity as much as any formal training. Dance appears early in the family story: Kim and at least one sister were dancers in their youth. Those small, formative rehearsals and recitals planted seeds that would later bloom in her daughter’s career.
She is one of the children of Albert Vincent Guerrieri (b. 1926 – d. September 2022) and Antoinette “Toni” Mae (Gorio) Guerrieri (d. 2022). Their lives—marked by factory labor, wartime service in Albert’s case, and home-front resilience—provided a steady backdrop against which Kim raised her own family.
Basic Information
| Field | Detail |
|---|---|
| Full name | Kimberly A. Guerrieri Martello |
| Birth | January 1954 (age 71) |
| Hometown | Brownsville / Pittsburgh area, Pennsylvania |
| Residence | Pittsburgh, PA (resident since at least June 1984) |
| Spouse | Paul J. Martello (born c. 1951, age ~74) |
| Children | Gianna Martello (b. June 10, 1989; age 36) |
| Occupations | Unemployment compensation supervisor (former); retail manager — Tightspot Dancewear, Broadway Baby’s Dancewear & Costume Shoppe |
| Family roots | Guerrieri (Republic/Brownsville area) — strong extended family network |
| Public profile | Private; occasional social media posts, low news visibility (2024–2025) |
A Life in Steps: Dance, Work, and the Local Stage
Kim’s life reads like a modest choreography: not a spotlight solo, but the steady choreography that holds the production together. She translated an early love of movement into a working life that kept her close to the dance community without ever seeking fame. After a period in public-sector supervision—overseeing unemployment compensation—Kim moved into retail management in dancewear. Positions at neighborhood staples such as Broadway Baby’s Dancewear and Costume Shoppe and later Tightspot Dancewear put her behind counters, managing inventory, fitting tights, and advising parents and young dancers. These roles are practical, hands-on, and quietly impactful; they are where technique meets the day-to-day needs of a performing arts town.
Numbers matter in that world: sizes, counts of tights and leotards, class enrollments, costume deadlines. Kim’s steady administrative instincts—honed through supervision and customer service—kept those details in order. That reliability became, in time, more than a job. It was also an informal conservatory for a daughter who would turn that early exposure into a professional path.
A Mother at the Center: Gianna’s Trajectory
Gianna Martello, born June 10, 1989, is the most publicly visible thread in the family tapestry. Her rise—from local training to prominence on a nationally televised reality series—casts light back on the household that shaped her. Kim appears not as a stage mother in the sensationalized sense, but as a steady architect of opportunity: enrolling a child in classes, driving to rehearsals, buying shoes that fit just right. Gianna trained at the Abby Lee Dance Company (ALDC) in Pittsburgh and later became one of the studio’s choreographers and assistants; the ALDC era spanned much of the 2010s and fed into the Dance Moms cultural moment (the show aired nationally from 2011 through the latter half of that decade).
Gianna’s career—teaching, choreographing, and participating in interviews and compilations—reflects the overlap of family history and individual talent. Numbers punctuate this story: Gianna’s birth year (1989), the decade she rose to public attention (2010s), and family ages (Kim in her 70s as of 2025) sketch a multigenerational arc in simple math.
The Extended Family: Names, Dates, and Relationships
Kim’s life is braided into the Guerrieri family network. Below is a compact roster that readers can scan like a program list.
| Relative | Relation | Key Dates / Notes |
|---|---|---|
| Paul J. Martello | Husband | Born c. 1951; long-time Pittsburgh resident |
| Gianna Martello | Daughter | Born June 10, 1989 (age 36) — choreographer, ALDC alum |
| Albert Vincent “Rubs” Guerrieri | Father | Born 1926 — died September 2022 — WWII veteran |
| Antoinette “Toni” Mae (Gorio) Guerrieri | Mother | Died 2022 — family matriarch |
| Amy Mercante | Sister | Active in family events; mother to Alina |
| John Guerrieri | Brother | Connected to extended family dancers |
| Alyssa Guerrieri | Niece (cousin to Gianna) | Born June 17, 1995 (age 30) — dancer, ALDC alumna |
| Alina Mercante | Niece (cousin to Gianna) | Limited public details; part of local family circle |
This table is a small map of a larger neighborhood of kin: cousins, nieces, uncles. Each name is a node; together they form the social scaffolding that supported two generations of dancers.
Presence and Privacy: The Public vs. the Domestic
Kim lives publicly in only the ways she chooses. Her social media footprints are domestic: birthday posts, photos of family gatherings, the occasional snapshot tagging Gianna or celebrating milestones. News coverage in 2024–2025 shows minimal activity, mostly a silence that is itself a statement. Where some seek headlines, Kim occupies the opposite space: visible only as necessary, private by temperament.
This privacy extends to finances and personal data. Public estimates of her daughter’s earnings from an earlier year do not translate into verified figures for Kim. There is no public ledger of net worth, no interviews measuring her pulse in the media. Instead, what exists is anecdote and pattern: a mother who worked in retail, supervised public programs, and prioritized family and local community over broader recognition.
Timeline: Selected Dates and Milestones
| Year / Date | Event |
|---|---|
| January 1954 | Kim born (Brownsville/Pittsburgh area) |
| 1970s–1980s | Marriage to Paul J. Martello (approximate period) |
| June 10, 1989 | Birth of daughter Gianna |
| June 1984 onward | Kim recorded as residing in Pittsburgh (public records show residence since at least this year) |
| 2011–2019 | ALDC and Dance Moms era (Gianna’s national visibility grows during these years) |
| 2017 | Public estimates of Gianna’s earnings referenced in popular media (contextual figure; not Kim’s finances) |
| 2022 | Deaths of Albert and Antoinette Guerrieri (family obituaries) |
| 2024–2025 | Sparse public mentions; social posts celebrating family events |
The Quiet Engine
Kim Martello’s life reads less like a marquee and more like the backstage wing: where the lights are rigged, shoes get repaired, and a worried child is steadied before a first curtain. Her influence is measurable in small, cumulative units—years of driving to class, shifts behind a counter, quiet encouragement. The arc of a family, when drawn out in dates and names, reveals a steady engine: not flashy, but essential. Her story is the choreography of ordinary devotion, where each practical choice—registering for a class, buying a costume, saying “try again”—becomes a step that carries forward a daughter, a niece, and a lineage.